It is Saturday night around 10:30. Sometimes I question whether I have anything useful to add to the discourse. I spent much of this evening reading in Anne Sexton's
Transformations, her book of poems based on the Grimm Brothers fairy tales. I like these poems most of all because they keep the lurid aspects of the original stories. They are like gossip, like the tabloids, with the stink of motive spread through their lines. And there are bits and pieces of Annie herself, occupying the moments before and sometimes during the plot itself.
Particularly compelling is the version of Rapunzel, with its lesbian theme. Since we know Anne had an incestuous relationship with her own daughter there is a pathos to the lines that wouldn't be there otherwise.
"A woman/who loves a woman/is forever young." That strikes that mortal coil a hard knock and makes it sing. And we know that Anne committed suicide. I believe she was in her forties.
She was an episcopalian, and sometimes a true believer. I lived with a hardcore episcopalian for eight years, Pat Smith. She had this trip on Clive Staples Lewis, who I considered an apologist for a religion based on lies. But then I grew up a "roman catholic" as Patty would say. An RC. Ever so less cool then her anglican roots. But frankly I didn't think it made much of a difference that her religion was founded by a guy who couldn't get a divorce from the pope. How many other men have been in that position and would have done the same thing if they could?
But this diverges from Anne Sexton, and the action of writing poems. Most of the poems of my life, those I have read and those I have written, are not intrinsically stories. Mostly contemporary poetry is about capturing momenst that act as lenses, metaphors, for emotional truths. I have nothing at all against that goal. Many specifically useful and beautiful things come from that construction. But in reading these poems, built, as they are, upon the armature of plot, I am struck by the similarity in my recent work to this concept. The 'arc' of the story, the change in the character. The most successful of my pieces in the last two years have certainly been the character studies of Jessica Weber and Ross Hulvey ('who she is,' 'born twice'
www.divinebearpoems.blogspot.com). Secretly I have long suspected that what I really like about them is the implied stories that haunt both pieces.
(I just tried to use the search engine in Blogger to find these two pieces and sure enough it worked fine for one and didn't find the other, though the title is correct. "Who She Is" was published April 18, 2005 and "Born Twice" was published January 11, 2005, should anyone care to take a look at them.)
I begin to think that this is where I need to go with my work. Now, no one reads my work, at least not many, so its not a question of huge import, except to me. I know this is going somewhere. I know these poems that I have worried from under the rocks of the subconscious have some intrinsic meaning. Not exactly a solution in the normal, algebraic sense, but a metaphoric way of understanding what it is that happened in these last thirty or forty years. What happened to me.
We shall see.
Meanwhile in this world we spent the last couple of days buying Kimberly a new sewing machine. In actual fact it was Bob and Arlene who did most of the buying. We did put out some serious money buying the protection plan for the machine. She ended up buying a machine at Sears. I think it is very good. Her last machine had chewed up a lot of repair money and seemed to fail every time she got it out. I think it is quite old. In any case this was the Yule present from the Brittons for us. And just in time to finish making Piper's bat costume for Samhain. I myself am thinking of a pirate look for that night. I will be whacked from travel, but I am going to perform
"Anabel Lee" at Allerton, while Dan K. does his best Poe imitation.
There is way too much to do around the house. And I am working for another couple of weeks at the University. And I don't seem to be able to find the moments to find the next poem. But I can feel it, there, inside the layers of memory and meaning. Language is a lovely mistress, seductive and always changing the rules. Meaning is a remarkable recognition of a moment in space and time because meaning itself can be many different things depending on how you turn it in the light. Like a faceted diamond.
Meanwhile I did finally get around to networking Paige's old box, the one I am now using, to my other old PC so I can use the printer from here. Also I moved most of the music over to this hard drive. I should make some mix cds. I should make a mix cd for Marion. That would be fun, though it wouldn't be as interesting as the ones she makes. In a way though I can see it would be avoiding the poem. The story. The history. My story.
I hope for the best. I respectfully ask of the Lady Arianrhod that in Her mercy She will let me come to Her, my heart full and open, my sins recognized and admitted, and that Her love will be the true taste of the songs of this fucked up life. Something like that, anyway. Love to all.