Just a Jealous Guy
We all miss John Lennon. He was a good person who tried hard to overcome his own flaws. He was at least honest about things, a rarity in this world. I particularly love the song "Jealous Guy" on the Imagine album. It always seemed to me to be an attempt to make up for "Run for Your Life" on Rubber Soul, a scary threatening piece about the same emotion. And you could always see that he truly loved Yoko Ono with a great love, an enduring love. I do think she mother'ed him too, and that he craved that from his childhood. I haven't much respect for Paul, though I think Paul has struggled to be a good person. I love Ringo for his ordinariness, salt of the earth qualities. And George at least tried to live a life devoted to the spirit and to truth. I find it weirdly ironic that George wrote one of the greatest love songs anyone ever wrote, "Something" (Abbey Road), for the woman he loved (Patti Boyd), and yet still lost her to another man who wrote another of the greatest love songs anyone ever wrote, "Layla". Crazy. The heart is where your world truly exists. Keeping it honest is difficult.
As for Bob, he played here last Friday. I didn't go, but I respect the fact that the man keeps on playing, and changing and trying to deal with the vast landscape of America like he does. I've seen Dylan four or five times along the way, including back in 1969, with the Band, singing Little Richard songs. And I still tend to get his new work, although the last couple of things other people bought them for me. I listen to Leonard Cohen more these days; he's closer in style to my own work. But I still play Dylan. I will always love Blonde on Blonde, with its songs about Edie Sedgwick and Joan Baez, and of course Sara Lowndes. I used to always play "Sooner or Later One of Us Must Know" when I set up the stereo for the first time in a new place. It was tradition, but these days I can hardly bear to listen to that song; it represents such loss and betrayal. My wife, Kimberly, bought me a gold disc copy of Blonde on Blonde when we were first dating. And I always think of Patti Smith's poem about Edie Sedgwick and Baby Brian Jones, the true heroes of Blonde on Blonde she calls them. Brian Jones you may recall is the member of the Rolling Stones that they kicked out in 1968 and who was found dead in his swimmming pool and everyone assumed it was drug overdose, but thirty years later a guy who had been working on the house confessed on his deathbed that he'd murdered Jones. Brian Jones was responsible for that frisson of true rebellion in the early Stones music. After he was gone they became the arena type band that they are still today. Not the same, but still great.
I used to know and write about rock and roll quite a bit. In the 1970s I wrote a column, Plasticware, for a local rag in Springfield, IL (The Phoenix). I got some freebie records out of that. I still have in the neighborhood of 500-600 pieces of vinyl. One of my old friends bought me a turntable that plugs into your computer and lets you make mp3s out of the vinyl cuts and I did that for awhile, but it takes a long time and you have to cut things up and label them. So I didn't keep at it.
Somewhere along the way I ended up getting into white female jazz vocalists from the 1950s. They tend to be sort of obscure now. The aficionados of the 60s and 70s kept and remembered the African American ladies, Ella Fitzgerald, Sara Vaughan, Billie Holiday. The caucasian singers people remember tend to be those associated with the film industry, Doris Day, and Peggy Lee. I found a number of less known but great singers that I then collected: June Christy (who was born in Springfield and who went to Chicago when she was 16 to sing in the big bands, wwii era), Anita O'day (who used the pig latin for "dough" for her last name), and Chris Connor. I also have several items from the outer fringes of rock and roll, particularly the project that Judy Henske and her husband Jerry Yester (who was with the Lovin' Spoonful and produced the Byrds) did, Farewell Aldebaran (look this one up on Wikipedia) on Zappa's Straight records. One of the greatest discs from the 1960s. Along with the LA group Love's Forever Changes, and Brian Wilson's teenage symphony to god, Smile. Just transcendent stuff.
I've also always loved the brit folk stuff, Fairport Convention, Steeleye Span, Maddy Prior, Richard Thompson. I have played Steeleye since the 1970s and still do. Of course, more modern times include Loreena McKinnett and Enya and the Medieavel Baebes. I originally was deep into folk music at the beginning, Peter Paul and Mary and Joan Baez and Dylan and Phil Ochs. I was also always into show music, particularly Stephen Sondheim's stuff, A Funny Thing Happened on the Way to the Forum, West Side Story, Gypsy, Into the Woods, Company, Sweeney Todd, and especially Assassins. I love lots of other broadway stuff, also and have done several musicals in my life. I think Les Miserable may be the greatest. But I like Andrew Lloyd Webber's work, Evita, Phantom, and especially Sunset Boulevard. I like the film that that is based on very much, Bill Holden and Gloria Swanson, in a Billy Wilder piece.
There's a new book out about Dylan, Greil Marcus's collected pieces from the last forty years. I started reading Marcus in the late 1960s and have read him ever since. Good stuff. There are many Dylan books, including his own book which is very different than what people write about him. He's still an enigmatic figure. I think he has been seriously wounded in the heart, but mostly it is self inflicted. Men who are on the road have a difficult time remaining faithful. That's not an excuse, just a recognition of the biological drive. Anyway, Dylan is very romantic about women, typical for someone from a very patriarchal background. Me too, though I fight my inherent sexism. I was lucky enough in the 1960s to read several specific feminist tomes that have formed a basis for my thinking: Kate Millett's great study Against Our Will, Mary Daly's wonderful Gyn/Ecology, and of course Andrea Dworkin's Pornography. Also Robin Morgan's Sisterhood is Powerful. And at base, even before these books I read Simone de Beauvoir's Second Sex, a remarkable book even today. I was looking at it last year again. I have a young friend (well, he turned forty so I guess he's not that young, but he started coming to my writing group when he was 18 and he is a lot like a young Truman Capote) who is hung up on the relationship between Jean Paul Sartre and Simone de Beauvoir.
That was good stuff to go through in my callow youth. Not that I haven't seriously fucked up with the female side of the species along the way. I also have the roman catholic background and the essential misogyny of the culture itself. There's my tricky relationship with Margaret, and with my sisters. And then the spectrum of being that was my three marriages and the woman I lived with for 8 years, though she was married to my adviser. Not to mention the teenage girl in the 1970s. Many serious errors. I once contemplated writing a book that I was going to call "Sins Against Women", the premise being that I had committed most of them, once. That is, I tried to learn from my errors, but inevitably made new ones.
Well, I fully expect to face my errors when I come to the River in the afterlife. Whether it's facing that guy with the feather of truth, or seeing the movie of the really embarrassing parts of my life, I understand that I have an implicit need to see/hear/live the truth and that is the true nature of whatever one wants to call the afterlife, heaven, desire, hell, the akashic record. I struggle to deal with my own failings, but I celebrate the Lady and this world that is Her trousseau. May I just be of some service to Her, if only in recognizing Her great love and the mercy of the song.

