Collected Poems — Pat SmithThe thing that is getting to me right now is that I got a copy of Pat Smith's Collected Poems in the mail. Apparently after Pat died, John, her husband and someone I knew very well forty years ago, went through her stuff and decided to publish a book. He did a fairly good job, though I knew Pat well enough to know there are several poems in this book she would never have published, due to inconsistent quality. Anyway,t here are several small essays in the book, from people who knew Pat well. And I knew all these same people well, too. But I am so not included here. Though one of the actual poems even mentions my name. Must've killed John to put that one in. I'd say at least twelve of the 150 poems are specifically about me;mostly truly bitter. Most of the poems were definitely written during the days we lived on Scarritt and just after. From 1973-1981. I knew most of these pieces when they were first written.
Anyway, I read the whole book last night. I have really mixed feelings about this book and these poems. Some of them are quite good; Pat is a lot like the great american poet, Ann Sexton (who if you've never read you should;
Transformations, where she retells grimms stories in a modern idiom). When she's good Pat is spare and clean and gets you right there. But a lot of the time her pieces fall flat. Of course that's the problem with publishing everything. It will include the less successful pieces.
And anyway the whole thing harks back to those days. I have fulsome record of those days. I have notebooks and copies of my letters from those days and those were days I really wrote letters and got letters back. I have literally hundreds and perhaps thousands of letters from that time period. And I have lots of Pat's writing that John clearly doesn't have. Not that he'd ask me, of course. You see, John was having an affair with Pat, his across the street neighbor and the wife of his colleague at the University, Larry, when I first met her. And within a year she had left Larry and started living with me. I didn't know about her affair with John until after we were living together. Well, he was pissed off at me, though he proposed that we have a three way sometime. Which Pat would not do (though later I was in two menage a trois with Pat, one extra male, one extra female). Actually Larry, Pat's husband, also proposed a three way at that time. My life as a sex object, eh?
And another thing, Pat speaks in several of these poems to Janne H., who she did her best to keep me away from all those years. So I guess she ended up with the Janne card. Janne is credited as being among the people who ponied up to print this sucker.
Of course, Pat has her father to write about and some of the most winning pieces are those. He must've been a shattered man, after finding his wife dead in their airstream, a victim of suicide by barbiturate when Pat was 13. Thus leading to another strong theme for her: suicide. Of course she was not allowed to commit suicide, because of what her mother had done. It certainly fucked up that family. But she talks about it quite often in these pieces, or about death in general. Death is a conversation she is having with herself. She always talked about her internal monologue. "The dark night of the soul" was a favorite expression. She had real specific things she loved, but she was really pretty closed off to new ideas. She was a C.S. Lewis freak, which is only marginally better than being an Ayn Rand freak.
She once had an argument with, among other people, Janne, about how the clothes that women wear cause sexual violence to happen to them. From her point of view she was speaking pragmatically, but to Janne and the other women she was blaming the victim. I was not on her side in that particular debate. She was a product of her time, 14 years older than Janne and a world away in experiences. To her credit Pat had an affair with a black guy at ISU in the mid 1950s. And to his credit, her father didn't exactly disapprove; he just worried about her safety. It was a dangerous affair for 1956, and thus even more romantic.
Anyway, it opens up yet another can of weirdness from the life I have led.
I'll probably spend at least a couple of weeks getting through this one. There's a part of me that wants to impose my recollection of this history of this small group of people from forty years ago. Maybe I should do that. I suppose I'll have to get another job and make enough money to publish my own book of poems. I don't quite know what I think about all this.
Part Two
Here are some thoughts about the book of Pat Smith's poems that John Knoll put out recently. I acquired it online and have read it a couple of times this last week. Naturally I have extensive weird thoughts about it. Part of what I feel about it has to do with what happened to that scene. How I feel cut out of it by Peg and John Knoepfle. How my mistakes seem to loom so much larger than Pat's, or anyone else's. Ric Amezquita forced Becky Bradway one time, but they all hang out with him, even Becky. Pat slept with her husband's colleague. Janne had numerous affairs with many men over the many years we knew her, mostly while she was married.
Most of the poems were things Pat wrote during the Scarritt Occasional Society days. There are a number of late poems she wrote to Knoll that I didn't recognize, but most of the stuff I was already familiar with. I wonder why John felt the need to expose these things? There are a double handful of poems that are about or directed to me. Mostly they are about need and betrayal. The usual stuff.
And there are several short essays: Sandy Martin, Harry Martin (yes, he's her brother, the priest; he married me the first time I was married in 1970 in St Lou to Becky McGovern, Joel's mom), and Jessica Billings (Weber), oh and Peg Knoepfle. What got me about all these pieces is that they were all surprised to find Pat wrote poetry and was good at it. Yikes. And they were her friends?! Sangamon Poets even put out a book of her poems in 1979,
The Museum is Closed.
So there's a poem in this collection that is dedicated to J.R./J.H. I assume JR is John Ranyard. And JH, the omnipresent nemesis chick in my life, Janne H. Actually there are two other poems in the book to Janne. It is pretty humorous, as often as Pat gave me shit about Janne and as often as they were headed in basically opposite directions and had very different ideas. What brought them together was, of course, me.
But I get absolutely no credit in this book for the role I played. And it was not an insignificant role. I suppose I look back on that time now and I can see it was important in my life and maybe in some other people's lives, but the way I have been excised from it, particularly by the Knoepfles, is very painful to me.
Nonetheless, I believe now and I actually believed in the old days, that Pat would've been a great deal better off with John Knoll. If he had left Sandy in 1973, I think Pat would've left Larry. They were screwing for a couple of years before I showed up. Yet Pat didn't tell me about that until she had to, since she had promised John she'd go spend the night with him after she had started living with me. And then there was suddenly, for me, the whole affair with John Knoll. And so, John's wife at the time, Sandy, writes a glowing essay about Pat. Well, they were best friends and colleagues for several years there. Still its all weird.
And John Knoll was a complete bastard there for awhile. I remember Sandy saying she was divorcing him because she thought he was crazy and she didn't want to get stuck with being responsible for him. And Pat was freaked out and hurt by him at that time, 1973-74. He had that whole
I'm like Nixon trip (remember Watergate was breaking).
But, clearly, from his writing about her, and from everything I know, Knoll was always the guy she should've been with. And I don't know that I think those years I spent being supported by her and writing unpublished books were particularly worthwhile for me. I think it let me blow off my twenties and eventually I came to realize that Pat didn't think much of my writing. That was devastating. It made what I was doing, living off of her, a terrible selfish thing and I had no choice but to leave her then. (I will say that in 1981 Pat had started a novel which was clearly based on her affair with John Knoll; she wrote about fucking him every day, in the garage, in the closet, on the back stairs, stuff I remembered and knew about.) And then I started working, doing the shitty jobs I should've done before, in my early thirties.
And Pat navigated a careful path around the Tim and Janne story. She cultivated Janne as a friend, but she pointed out things about her to me. A strange little rondo to be doing, the three of us. So now, Janne puts up part of the money to publish Pat's book, a book that is being produced by one of Janne's old lovers. Yes, Janne slept with John Knoll in 1972-73, while Pat and I were living in Chicago. And John called us up to tell us all about it. He particularly liked telling me how many orgasms Janne had and how she sounded when she had them. Yahoo. He was in his "I'm a complete asshole" stage at the time.
But, I think John loved Pat for real and I wish I hadn't gotten between them at a bad time. I think we would all have been better off. But, I loved her too. Of course, it is unlikely there would've been a Scarritt Occasional Society, or at least that particular configuration. I couldn't have funded the ongoing salon that we had. Pat had middle class money and I had none. I had an ex-wife and a little boy I should've paid a lot more attention to. Yes. It would've been better.
And since I don't get any of the credit for Scarritt, as far as I'm concerned I think the 1970s basically fucked me over. What have I got to show for my life? Two ex-wives named Becky, and some boxes of badly written novels and a bunch of poetry that pretty much only John Ranyard and Sandy Riseman have ever read.
But my kids aren't too fucked up because of me. That is something.